Tips
for cutting Fine Work
The ability to cut is determined by the scissors you use. They need to
have fine points which are very sharp and glide when cutting.
When manipulating fine areas, scissors should be about 4.5 inches
in length to ensure more control.
1.
Select images then concept
2. Prepare
with gesso, stipple and sand.
3. Seal papers both sides with Liquitex Gloss Medium. Allow to dry completely
before cutting.
4. Identify most difficult areas and cut them first - interior cutting
is clockwise
and exterior cutting is anti-clockwise, using tips of scissors pointing
away,
and angling scissors to 45 degrees.
5. Arrange cut-outs in a desirable design with Blu-tack.
6. Sponge a background, which complements or contrasts the design.
7. Glue using clag and a small amount of P.V.A. glue.
8. Use flattened fingertips to massage image to surface, eliminating air pockets
and excess glue, allow to bond, then use rubber roller gently.
9. Wipe excess glue from surface (a little vinegar and water will help). Allow
to
dry well. Use an oil pencil or watered down paint and liner
to disguise the edges.
10.Seal composition with Liquitex medium and varnish - use several coats if
desired. This canbuild up on surface and reduce the number of varnish
coats.
11.Use a tack cloth to remove surface dust before varnishing. Keep in a screw-
top jar.
12.Varnish with a 1 inch imitation sable brush, going in alternate directions
each
time.
13.Wear a charcoal mask and non-fogging goggles when varnishing (fumes and
sanding dust).
14.Apply 20 coats of varnish say a day apart, to protect design, then do a major
sand, beginning with the coarse grade (280-400). Sand lightly,
but for an extended
time. Sand in opposite directions and when smooth, sand with the
medium (600-
800), and finally lightly with the fine sanding pad, alternating
directions.
15.When surface is completely dull (no shiny surface) and dust free, paint on
two
more coats of varnish (1-2 days apart), leave to cure 3 to 4 weeks.
16.Lightly sand surface with superfine green pad (or 2000 wet and dry), ensuring
there are no waterwave marks. If you are too powerful on the sanding
pad, you
will sand through successive layeres of varnish and achieve waterwave
- moire.
Then you will need two or three more coats of varnish, and curing
time.
17.Polish with Micro-Mesh Kit, with a lot of water, working quickly with the
4000
wrapped around a foam block, for about 4 minutes. Change to the
6000, change
direction and rub vigorously. The same applies to the 8000, and
finally the 1200.
Clear the surface of milky residue each time. Be sure to clean
the Micro-Mesh of
impacted residue each time.